[{"data":1,"prerenderedAt":30},["ShallowReactive",2],{"pub-archive-china-essay-overseas-edition":3},[4,21],{"id":5,"timeStamp":6,"permaLink":7,"coverFilename":8,"aspectRatio":9,"publicationDate":10,"hasStory":11,"storyTitle":12,"storyLinkPage":13,"storyLinkKey":14,"storyDescription":15,"countrySlug":16,"countryName":17,"publicationName":18,"publicationSlug":19,"status":20},3481421,"2026-05-19 16:17:14","https://www.pressreader.com/china/essay-overseas-edition/20260501","2026/05/01/china-essay-overseas-edition",0.7213114754098361,"2026-05-01 00:00:00",1,"我的父亲钟叔河",6,"281492167958984","忍了。 那天是母亲把我送到汉口火车站，让熟人带到了内蒙古， 送进了内蒙古孤儿院，也叫内蒙古第一社会福利院。我和父母从此南北相隔。\r\n在我很小的时候，我隐隐约约听到人们议论过：“这孩子真命苦， 她爸爸坐栅子（牢），她妈生病了。 ”我对我的身世有一种羞耻感，我很害怕听到“湖南”这两个字。 每到春天， 原野上覆盖着的冰雪开始消融，一望无际的万亩滩露出勃勃生机，一片片明晃晃的土地在春水的浇灌之下更显出它的魅力，那是黑黝黝肥沃的庄稼地。...","china","China","Essay Overseas Edition","essay-overseas-edition","alive",{"id":22,"timeStamp":23,"permaLink":24,"coverFilename":25,"aspectRatio":9,"publicationDate":26,"hasStory":11,"storyTitle":27,"storyLinkPage":13,"storyLinkKey":28,"storyDescription":29,"countrySlug":16,"countryName":17,"publicationName":18,"publicationSlug":19,"status":20},3470305,"2026-05-11 16:45:26","https://www.pressreader.com/china/essay-overseas-edition/20260401","2026/04/01/china-essay-overseas-edition","2026-04-01 00:00:00","从来没有过“那夜似的好戏”","281556592419628","我在图书馆的阅览室里尝试完成此文。图书馆的旁边，有一座城市公园，那里每天都有各种各样的文体活动在进行，它们大多是健身与娱乐合一的游园活动。 其中，一位吹奏竹笛的专业演员的出场， 每每引发热潮。 清脆的笛声，让很多上了年纪的人在熟悉的旋律里感受到怀旧的温暖，也说不定在年少者心里种下民族音乐美妙旋律的种子。而我由此联想到的，是鲁迅小说《社戏》里的情境。《社戏》回忆了叙述者“我”的三次看戏经历，然而从接受和评价的角度讲，小说中的“我” 究竟有多少观剧的欣喜表达呢？依我看只有一处：“而且似乎听到歌吹了。...",1782047847485]